GlaszArt

Photographer Vince Burton has enjoyed wildlife and nature since he was a child. Later in life, he developed a passion for travel and photography. Today, Vince can be found photographing the local nature of the countryside where he lives in Norfolk in the United Kingdom. His work has also taken him on adventures in far off places. During these travels, Vince not only captures extraordinary images for viewers to enjoy, but he also has an intense desire and purpose to use his work to influence others. He hopes to offer education and inspire the public to take vital action regarding wildlife and the preservation of the natural world. Through his photography, Vince would like to bring awareness to humanity’s role in both the destruction and preservation of the environment around us.

If you’d like to learn more about Vince’s work, please visit his website. You can also follow him on Facebook.

Vince, thank you so much for sharing your experiences with us and thank you so much for all your thoughtful responses. It’s not every day we get a behind the scenes with someone who has such a passion for the natural world.

Can you please tell the readers a bit about yourself?

I’m passionate about nature and have always loved wildlife from a very early age. My love for photography came much later, but from the very first camera I owned, all I wanted to photograph was wildlife. I love to capture its beauty, to show my audience the amazing wildlife that we have, and hopefully educate some before it is too late.

Where do you call home?

I am based in Norfolk in the UK. I am lucky enough to live in a rural location where there is plenty of wildlife.

After browsing through your website, I see that you have built up an extensive collection of wonderful photography. When did you first become interested in photography and how long have you been involved with it?

I started getting into photography at a young age and wanted to study it at college. Unfortunately, the college I attended didn’t offer photography as a subject. So I ended up taking professional exams first in business and accountancy and then came back to photography.

Are you formally-taught or self-taught?

I am mostly self-taught, although I have done a few courses, workshops, in order to top up my knowledge where required, such as flash photography.

Are you satisfied with your choice of getting involved with this industry? Is there anything else you would rather be doing?

I love wildlife, it is my passion and pretty much all I think about while I am awake during the day, and often what I dream about when I am asleep. There is nothing more rewarding for me than spending time out in the field, observing wildlife and learning about it. At present this is however not my main job, and that is still my ambition, to be a wildlife photographer full time.

When shooting subjects, what do you find most challenging?

In the UK, it is often difficult to find a subject and then to gain permission to access the land to work the subject. I am very grateful to those landowners that have allowed me access to their land, in order for me to spend time and photograph various subjects.

What would you say your most remarkable wildlife encounter has been?

Last year, I was lucky enough to travel to Canada in search of polar bears, and their cubs. Although it took us almost a week to find a mother and two cubs, when we did, she sat down in front of us and we shared five magical hours in her their company. This was such a privilege and honor.

Location and weather conditions seem to be a crucial aspect of a successful photograph. How do you handle these unpredictable factors?

You cannot change the weather, and so you just have to work with it. There is always a shot to be had.

What is your favorite part of heading out to a new location?

It’s the excitement of not knowing what to expect, but also the expectation of what I want to achieve. I will always have an idea of some of the images I would like to achieve.

Who is the most inspirational photographer in your life?

I have several photographers that I follow, and sometimes I gain ideas from them, however mostly I like trying to do my own thing and come up with new ideas and new images, although it is still great to add the standard images to my portfolio.

Do you have any tips for new photographers who want to take better wildlife photographs?

Get out and practice, it is the only way to improve. We are all still learning and I very rarely achieve the shot I want on my first visit. But I will be learning about the location and the subject and therefore know what I have to change for the next time. If you are lucky enough to have a subject local to you, then practice with that. The more time you spend with a subject, the more you will learn about it and can predict it. This enables you to take different images, to show the subject’s behavior or its habitat.

Share with us your favorite image and why.

The barn owl images attached. I have been working with this bird for over 2 years, feeding it every night, although not photographing it every night. This was a great learning curve for me, how to attract a wild animal to a location, then to slowly introduce a hide and then the camera. She is a beautiful subject and has given me so much pleasure. It is also very rewarding to have an idea for an image and then to achieve this image.

What do you hope viewers take away from your images?

I like to create pictures with my images, something that I would be proud to have hanging on my wall. I also like to show the behavior or character of the subject.

What type of camera(s) do you shoot with? What is your favorite lens?

I currently use a Canon 1DX mark 2. My main lens is a 500mm because this means that I don’t have to get too close or disturb my subject.

What is in your camera bag?

In addition, I have a wide angle lens, as if the subject allows, I like to get close and personal and to show the subject in its environment.

What is your favorite photography accessory?

A flask full of tea. I often spend many hours in my hide, and can go without food or sleep, however, I do need tea. I am tea powered.

What piece of equipment would you most like to get but don’t have yet?

I have recently been discovering flash photography and remote triggers, and would like to progress with this and add additional equipment.

How important is Photoshop or other image editing software in your final images?

I only use Photoshop to carry out minimal adjustments, as I try to get everything right in the camera.

Was there a point in your journey when you started to feel really good about your work? If so, what did it feel like to get past that “tipping point?”

My first success as a category winner in an international competition was a massive boost. Confirming that images I thought were good, some other people also perceived in the same way.

Do you have any projects that make you look back and shake your head? What made the experience so unpleasant?

Not to date. There are always projects that don’t quite work, but you learn from these too and move forwards.

Do you see yourself as a photographer many years down the road?

I have a passion for wildlife, and photography allows me to spend quality time with nature. I don’t see that ever changing, as it would require me to change.

In addition, there is still so much of the world to see and its wildlife to photograph, so this will continue to drive me for a long time to come.

I am currently working on a book, which I hope to get published soon. This shares my best images, and hopefully shows what a great range of wildlife we have here in the UK.

Through her travels, professional photographer Sandy Sharkey has pursued her passion of capturing images of the wild and natural world. Although Sandy resides in Ottawa, Ontario, Canada, her work has taken her on a life’s journey to photograph wild horses and so much more. I remember the first time I saw Sandy’s images of wild horses and I found them to be utterly breathtaking. Sandy has truly captured the essence of these majestic creatures in their natural surroundings. Through speaking engagements and her work, Sandy hopes to educate the public and stress how vital it is for advocating for the freedom of these spirited animals.

Sandy, thank you so much for taking the time to share your thoughts and views of the beauty of nature through your words and photography and for allowing us to get to know a bit about you. I wish the best of luck to you and on your future projects.

If you’d like to learn more about Sandy’s work, please visit her website. You can also follow her on Instagram.

Can you please tell the readers a bit about yourself?

For over thirty years, I was a radio broadcaster~ hosting a morning radio show for various radio stations and music formats. My world was all about music, interviewing bands, going to concerts and interacting with listeners ~ sharing the information that they needed while (hopefully) putting a smile on their faces and sharing some laughs. We all started our day together. But I spent all my ‘off time’ with my camera, in nature, capturing images of wildlife. While most people work from 9 to 5, I worked from 5:30am to 9am- so I had a lot of freedom to explore with my camera.

Where do you call home?

Ottawa, Ontario, Canada.

After browsing through your website, I see that you have built up an extensive collection of wonderful photography. When did you first become interested in photography and how long have you been involved with it?

I’ve been interested in photography as long as I can remember. But it really kicked into overdrive when I experienced my first wild horses, at Return to Freedom Wild Horse Sanctuary in Lompoc California. The year was 2013. Not only did I enjoy photographing the wild horses, I realized that I could use my photography to help spread awareness about the issues facing wild horses. Since 2013 I have traveled throughout the American southwest to photograph wild horses in New Mexico, Arizona, Nevada, Utah, Wyoming, Colorado, Montana and North Dakota. I have photographed Canadian wild horses in Alberta’s Rocky Mountain foothills, and off the east coast of Nova Scotia on Sable Island. I have also traveled to Mongolia to photograph the rare wild Przewalski’s horses, as well as the Kaimanawa wild horses of New Zealand. While most of my photographic journeys focus on wild horses, the Great Bear Rainforest in northern BC was also an incredible experience~ to be immersed in such pristine wilderness, to have the opportunity to photograph the rare white Spirit bear, grizzlies and the rare coastal wolf~ was nothing short of magical. And last summer I finally realized my lifelong dream to see African wildlife, not in a zoo- but where they live. My husband and I hired a guide for 19 glorious days in Botswana. We slept in a tent with lions roaring throughout the night. We watched countless elephant families with youngsters, mothers, fathers, aunts, uncles, cousins, friends… such beautiful relationships! Wild dogs, leopards, hippos, crocodiles, giraffes, impalas, baboons, cheetahs… I documented over 130 species of African animals and birds. Botswana was one of the most rewarding photographic experiences of my life. In the summer of 2020, I will be leading a photographic adventure in Botswana and I can’t wait to share this experience!

Are you formally-taught or self-taught? And what has been the best source of information along this journey (workshop, online forums, classroom, mentor, etc)?

When I bought my first digital camera, I took a couple of short workshops hosted by local photographers. These workshops were limited to 4 or 5 people. Once I knew the digital photography basics, I knew that wild horse photography was going to be my main focus so I did some research to find the best wild horse photographers. This is how I found ‘Return to Freedom Wild Horse Sanctuary’. Two incredible equine photographers, Kimerlee Curyl and Tony Stromberg, were hosting a wild horse photography workshop at the sanctuary. This experience changed my life. If you love a certain genre of photography, I highly recommend seeking out the best in that genre, and signing up for one of their workshops. Not only will you learn from the best, you will be hands-on and immersed in doing what YOU love~ which goes a long way towards fueling your passion to improve your skills.

When shooting subjects, what do you find most challenging?

Wild horses live in beautiful places. When you are with wild horses, you are likely on a mountaintop, or in the desert, or in the case of Sable Island, you have wind, blowing sand and salt spray to deal with. Since wild horses are in remote areas, you have to be very prepared for anything mother nature is going to throw at you. I’ve had to repair a lot of cameras and lenses due to salt and sand. I once left a tripod in place on a grassy ridge and when I returned later, a wild horse was flinging it around like a rag doll just for fun.
I now bring a lot of plastic sleeves and cover-ups for my camera bodies in case of rain or snow or salt spray… but when I’m caught up in the moment, photographing wild horses~ well, let’s just say my local camera repair shop knows me by my first name.

What would you say your most remarkable wildlife encounter has been?

That’s a really tough question! Wild horses running through the desert at sunset. A black bear and a white spirit bear fighting over territory in the Great Bear Rainforest. An elephant family mourning a deceased relative in Botswana. There are so many moments in the wild that have left me speechless or with tears of joy pouring down my face. I had always wanted to see a wolf in the wild. I don’t believe in photographing animals in zoos- that’s always been a personal motto for me, so I was either going to find a wolf in its natural environment, or I was never going to see a wolf in my lifetime. In 2017, my husband and I joined a small group in BC’s Great Bear Rainforest. We followed our wonderful guide Mike Beedell to an inlet where the rare coastal wolf is occasionally seen. This wolf has a marine diet consisting of fish and salmon. We sat in the edge of the forest, hidden from view, hoping that we might catch a glimpse of a fishing wolf. We waited for hours. Suddenly a male wolf appeared across the inlet, sniffed the air, then casually lay down in the tall grass. Now almost hidden from view, we felt fortunate to have seen the wolf for those few fleeting seconds. It was dusk and we were losing light so we began to pack up. I could barely see the tips of the wolf’s ears in the tall grass off in the distance and was resigned to the fact that my wolf experience had come to an end. But then something happened. Deep in the forest, a chorus of wolves began to sing. The male wolf in the grass stood up, stretched, and answered the song from the forest. The wolf pack was calling out to the alpha male to come home and re-join the group. After taking a few minutes to vocalize and let the pack know where he was, the wolf disappeared into the forest and silence returned. I could not believe what I had just experienced. As a photographer, ‘getting the shot’ is so important… but in this case, it was not about getting the shot. This was a gift from nature. From the pristine forest where the giant trees are hundreds of years old, came the most beautiful song I have ever heard. It still gives me chills thinking about it.

Location and weather conditions seem to be a crucial aspect of a successful photograph. How do you handle these unpredictable factors?

Always prepare for the worst. Rain, snow, sleet, hail, salt spray. I bring lots of plastic sleeves with elastic bands and do my best to keep my gear covered and protected. But I’m not always successful, lol. I keep a lot of lens cloths in my pocket to wipe raindrops and dust from my lenses as often as needed.

What is your favorite part of heading out to a new location?

I love to explore new locations and find unexpected surprises. Wild horse photographers around the world are great at sharing information. Before I go to a new location, I usually put the word out to photographers through social media to get some intel .. but at the end of the day, the horses can be anywhere. You never know what you’ll find while you are searching for horses. I was photographing wild horses in North Dakota when a bison photobombed my shot.

Do you have any tips for new photographers who want to take better wildlife photographs?

Take a workshop hosted by a pro wildlife photographer. Then spend as much time as you can in the wild… and it doesn’t have to be far from home. If you have a few spare hours a week, go to the nearest forest or pond or fields and capture the wildlife that exists nearby.

How do you keep yourself motivated and your photography fresh?

Travel is a big part of what I do. I am always excited to research new places and find wild horses in areas that I have never been, so it’s always fresh and exciting.

Who or what inspires you in your personal life and work?

I am inspired by people who follow their dreams and do not subscribe to living a ‘cookie cutter’ life. My heroes are people who dance to their own drummer – but at the same time, they find a way to give back to others. I am particularly drawn to wildlife photographers that are raising awareness through their art.

Share with us your favorite image and why.

One of my favourite images is called ‘Girl Power’. In Botswana, we searched for wildlife by traveling sandy roads in an open Toyota Land Cruiser. For the most part, animals completely ignore vehicles. It’s almost like vehicles – and the people inside- are invisible. For that reason, it is rare for an animal to make eye contact with you while you are sitting in a vehicle. We encountered a pride of lions sleeping in the forest near the road. We waited patiently in our vehicle to see if there would be some movement. Eventually, three lionesses woke up, walked towards our vehicle then disappeared into the field to start their nightly hunt. The image is called ‘Girl Power’ because this was a mother, an aunt, and a daughter. And the best part? They were all making eye contact with me as they walked in step. I just loved their swagger and attitude.

What do you hope viewers take away from your images?

My goal is to create images that are compelling enough for viewers to dig a bit deeper. There is a story behind every image. Through my wild horse photography, I hope to raise awareness about the issues facing these magnificent animals. Wild horses are in trouble, especially in the American southwest. In a couple of weeks, I will be traveling to the Onaqui range in Utah’s Great Basin Desert, home to some of the most beautiful wild horses on the planet. The American government has announced a roundup of 90 percent of these wild horses in 2019. I feel compelled to get there as soon as I can, to photograph the horses while they are still wild and free, and to showcase their beauty in the hopes that more people will add their voices to protect them.

What type of camera(s) do you shoot with? What is your favorite lens?

I have a Nikon D600, a Nikon D750 and a Nikon D800. My favourite lens is the Nikon 70-200mm f 2.8

What is in your camera bag?

Cameras as mentioned above. Lenses: Nikon 70-200mm, 80-400mm, 200-500mm, 24-70mm, 14-24mm, prime lenses 50mm 1.8 and 85mm 1.8.

What is your favorite photography accessory?

My harness. I love it… I can carry two bodies with telephoto lenses for an entire day in the field with my camera harness.

What piece of equipment would you most like to get but don’t have yet?

The new Nikon Z7 mirrorless camera.

How important is Photoshop or other image editing software in your final images?

I use Adobe Lightroom for 99 percent of my workflow. I go to Photoshop if I have to remove a tree from someone’s head.

Was there a point in your journey when you started to feel really good about your work? If so, what did it feel like to get past that “tipping point?”

I won a local photography contest for an image that I took of crows flying in a snowstorm. That was my first ‘validation’. It was a really small contest but I was so thrilled to win! That was six years ago.

Do you have any projects that make you look back and shake your head? What made the experience so unpleasant?

When I was first starting out, I discovered the ‘saturation’ slider in Lightroom. When I look back at some of the images from those early days, where the grass is neon green and the sky is the bluest blue that has ever existed since the dawn of civilization, it just makes me laugh. What was I thinking?

What do you think the future holds for you? Where do you see yourself in the next few years?

Travel, travel and more travel. I am leaning towards more photojournalism. Guiding photographic journeys is also a big part of my future~ with a few wild horse photography trips this year and hosting a guided tour to Botswana in 2020.

Do you see yourself as a photographer many years down the road?

I can’t imagine a day that I will stop being a photographer. Unless all my gear topples over a cliff while I am photographing wild horses one day. Even then, I’m sure my camera repair guy will put back the pieces and I will get right back on the mountain.

With an early connection to nature as a child, wildlife and landscape photographer Alan Mackenzie effectively captures the beauty of his surroundings. Alan doesn’t need to travel very far from his home located in Brighton and Hove, a seaside city in East Sussex, in South East England. This area offers a wide variety of wildlife and nature in which Alan can be a part of and enjoy, without disturbing its existence. Alan can usually be found spending time outdoors and respectively capturing rare moments without disturbing wildlife and nature. I believe this is conveyed through his creative approach and skill as a photographer.

Alan, thank you so much for sharing your experiences with us and thank you so much for all your thoughtful responses. You have given the readers an opportunity to glimpse into the mind of a person who truly enjoys the beauty of nature.

If you’d like to learn more about Alan, please visit his website. You can also follow him on Facebook and Instagram.

Where is home?

I live in a small city on the south coast of England, called Brighton and Hove. It’s within easy reach of beautiful chalk cliffs and rolling countryside. The South Downs is intensively farmed and can be a wildlife desert, so I prefer to head inland, to the High Weald, which is heavily wooded and rich in wild flora and fauna.

Can you please tell our readers a bit about yourself?

I am 39 years old and I’ve lived in Brighton and Hove for my entire life. I work in adult social care, which can be quite harrowing at times. My wildlife photography projects allow me to switch off and immerse myself in the hidden worlds on our doorstep.

After browsing through some of your work, I see that you’re truly immersed in the field of photography. What is it that led you towards photography and how long have you been working in it?

I’ve been a photographer since I was 16, but was inspired to become a wildlife photographer by Stephen Dalton’s books. I’ve never met him, but he lives in my home county of Sussex. His work showed that you don’t need to fly abroad to encounter epic wildlife. As I reached adulthood, I began to realise that I could express my love of the natural world through the creative art of wildlife photography.

Are you self-taught or formally-taught?

I am self-taught. It was quite easy to master the technical side of photography, but the fieldcraft – how to approach wild animals without causing alarm – took much longer.

Is photography your full-time career?

No, I don’t earn money from photography anymore. I enjoy the freedom of riding my electric bike into the countryside, without any responsibilities or burdens.

Regarding your photos, which truly are remarkable, what advice can you offer to those who would like to begin taking these types of photographs?

It helps to possess an ability to visualise images in one’s mind. You have to be technical to get the best out of your equipment and surroundings. I’m systematic, but I’m also empathetic. If you photograph things you love, it will always come across in your work. I’ve had to overcome the temptation to pursue metrics on social media. Being good enough and enjoying my projects is what motivates me. If I encounter a wild animal, my goal is to tell its story, not impress anyone or gain status. The animal’s life is my number one priority.

What is your favorite part of being a photographer?

I feel a sense of tranquillity at the end of a summer’s day, knowing I’ve taken some really good shots. I can cycle back to the railway station and head home, knowing my hard work has been worth it and I’ve got some treasures on my memory card.

What is the most challenging part of being a photographer?

Being outdoors, in all weather conditions is challenging. It can involve standing in torrential rain, waiting for the sun to come out or being bitten by horseflies and mosquitoes in the forest. I once traveled to Dockey Wood in Buckinghamshire to photograph the evening bluebells. I spent an entire sleepless night in the woods for the sunrise, foreign legion style, without a tent. I vowed never again to do this, but I’m planning to do it again this year, in early May.

How do you keep yourself motivated and your photography fresh?

I don’t need to ‘keep’ myself motivated. I love photographing wild animals in beautiful forests and lush meadows. I only run out of motivation, when I recognise that I’ve done all I can manage. Wild animals can only take so much attention and one has to know when to stop. I’ve been held back a little by my 12-year-old camera, which doesn’t allow me to shoot in low light. Currently, I’m losing up to 50% of my 500mm low light shots, due to camera shake, but I’ve just bought the Canon 5D MKIV. The camera’s high ISO capabilities will allow me to get the best out of fading light, which is when most of my photos are taken.

What’s the best part of being a photographer?

I enjoy knowing that there a secret place, not far from the road, where I can witness and capture the undisturbed lives of beautiful living creatures.

What has been the biggest source of inspiration in your work?

During my early years as a photographer, I was inspired by wildlife photographers Stephen Dalton, Niall Benvie and Frans Lanting. But as my photography developed, I made the decision not to follow many good photographers on social media, as it’s too easy to unconsciously emulate the admired works of peers in my field. My sites and the animals within are my sources of inspiration.

What is your favorite part of heading out to a new location?

Last summer, I headed to a new site, expecting to find an elusive butterfly species. By coincidence, I found that the site had a good population of Roe deer, my favourite wild animal. I’ve learned, when identifying potential locations, that if the site is well managed enough to support rare species, it is also likely to be home to other wildlife in abundance.

Share with us your favorite image and why.

It’s a 2018 portrait of a roe deer buck in West Sussex. He’d spotted me in the woods, before trotting off into an adjacent field, where I found him sitting shortly afterwards. I like to build mutual trust with roe deer and the photo perfectly illustrates this ethic. Half an hour later, I was photographing him again, in plain sight. He was quite content to periodically look back or doze off, as I sat observing him.

What do you hope viewers take away from your images?

The entire natural world is under grave threat from climate change, habitat loss and the use of chemicals. Human activity has wiped out 60% of mammal, bird and reptile life since the 1970s. I’m hoping it’s not too late to halt this emergency situation and that people will look at my work and gain the motivation to lobby governments to act. Currently, far too little is being done and the outlook is not looking good for organized civilisation towards the end of the century.

What type of camera(s) do you shoot with? What is your favorite lens?

I have recently purchased the Canon EOS 5D MKIV to replace my aging Canon EOS 1Ds MKIII. The Canon EF 500mm f/4 L IS USM is favourite lens, not just for wildlife. I enjoy using it to photograph the small scale landscape of the South Downs in East Sussex. The bokeh effect is beautiful for isolating wild plants and flowers at ground level.

What is in your camera bag?

Canon EOS 5D MK IV, Canon EF 500mm f/4 L IS USM, Canon 300mm f/2.8 L IS USM, Canon 24-70mm f/4 L IS USM, Sigma 150mm f/2.8 EX Macro, Kenko extension tube set, Manfrotto 190 tripod, Manfrotto X-PRO 3-way head and Manfrotto 393 Long Lens Telephoto bracket.

What is your favorite photography accessory?

I have a set of Kenko extension tubes, which allow me to use my super telephoto lenses to photograph butterflies without disturbing them. The Purple Emperor butterfly is a tree-dwelling species and I’ll have fun this summer getting close-ups, without having to go climbing.

What piece of equipment would you most like to get but don’t have yet?

I’d really like to own the Canon EF 800mm f/5.6 L IS USM. You can never have a long enough lens, when you’re photographing timid wild animals. The £12000 price tag means the “yet” part of your question is likely to remain hypothetical.

How important is Photoshop or other image editing software in your final images?

I use Canon Digital Photo Professional as my RAW converter. The propriety software is optimised for Canon imaging algorithms. Adobe Photoshop CS5 is my tool of choice for ensuring colours, levels and tones are to my liking. I’m not a huge aficionado. I work with layers sometimes, but Photoshop is a means to an end, not an end in itself.

Was there a point in your photography journey when you started to feel really good about your work? If so, what did it feel like to get past that “tipping point?”

I used 35mm film until 2010, when I bought the Canon EOS 1Ds MKII. The expense of film made me conservative about the number of shots I took. The period between 2011 and 2012 really saw an advancement in the standard of my work. I haven’t been able to better some of my starling murmuration shots taken in winter 2012 and a July 2012 image of a Roe deer in a poppy field is still one of my favourites.

Are there any areas of photography that you have yet to explore and that you’d like to learn?

My new Canon EOS 5D MKIV records 4K video. I would love to create some beautiful videos of my favourite wildlife. Shooting in 4K at bit rates of 500Mb/s will require some big, fast memory cards and a software upgrade. Maybe then, I will add a YouTube channel to my growing list of social media sites.

What do you think the future holds for you? Where do you see yourself in the next few years?

I am still searching for more Roe deer sites in south-east England, as I’m doing a long term project on this species. It’s not difficult to find Roe deer, but reliable sites, where their presence can be guaranteed, are harder to come by. It would be lovely to create a website and book all about Roe deer, but it’ll be a while before I have a complete collection of images and videos, telling their life story.

After finding his passion and moving forward into the world of photography, fine art photographer Andrew Desiderio hasn’t looked back once. Andrew resides in San Diego, California, but actively pursues his focus of capturing and creating breathtaking images of landscape and wildlife around the world. Through his work, Andrew effectively captures moments of beauty and makes them timeless. As you browse through his photos below, I think you’ll agree that each image tells a story. Please take a moment and experience the beauty of Andrew’s exquisite pieces of art.

Andrew, thank you so much for sharing all of your thoughtful responses with us. I enjoy viewing your photographs and I can’t wait to see more exceptional photography from you in the future.

If you’d like to learn more about Andrew, please visit his website. You can also follow him on Instagram and Facebook.

Where is home?

Home is San Diego, California. I grew up in San Diego and left for my undergraduate degree, came back, left for my masters and came back. I can only guess if I get a Ph.D. that I will again come back. haha.

After browsing through your website, I see that you have built up an extensive collection of wonderful photography. When did you first become interested in photography and how long have you been involved with it?

Photography had been dancing around me most of my life, the only problem was I little knew that it were. I had even taken a photography class as an elective in middle school. Yet, only in the last four years did it really envelop me.

In regard to marketing, how much of your time do you dedicate to social media? Do you use any special programs or services?

The instinct is to say too much, but the reality is if you are to make a commercial impact you must allot some time. I would say this, the social aspect for my family and friends is much less than I use it for the marketing impact of my photography. It probably amounts to upwards of 30-60 minutes a day honestly.

I don’t use any of the planning websites, but I subscribe to all their email lists to stay current on trends. I have considered using HootSuite or Later, but I do like the personalization I am able to impulsively apply each day.

What is your favorite part of being a photographer?

The childlike aspiration to see more beauty in our world, whether far or near.

What is the most challenging part of being a photographer?

Creative block is a real thing, even for photography. Sometimes being creative or motivated is a challenge. I don’t know the cure other than perseverance. This is especially challenging when you have a contract shoot and must deliver regardless of your current mood.

What type of session do you look forward to the most vs what type of session you most often do?

I love my wildlife sessions. There is a patience and calm necessary to be successful and it is so challenging to capture that brief amazing moment. It is a great victory. More typically, I specialize in my landscape photography which are the images I most often shoot.

What has been your most memorable session and why?

Probably the first time I saw Bald Eagles. It was a two-year search to find a bald eagle that I could photograph close enough for a high-quality image. Stumbling upon a nest with a mating pair I must have taken 2000 pictures that day. I had a grin ear to ear during each and every shot. Now I have been lucky to see Bald eagles in 8 states and have a keen nose for finding them. But those memories of being a novice and on the search made the victory sweet.

What’s the best part of being a photographer?

To everyone, they get to imagine a story with every photograph. To me, I love that each photograph is a memory. Those memories are special to me each time, I make sure of it. Remembering every moment I get to capture is almost unfair!

What is the most challenging part of being a photographer?

Photography has quickly become very saturated. With that, you have both the challenge of being creative and the professional challenge of fewer opportunities available. Making a creative field a competitive field seems daunting for certain.

What is your favorite part of heading out to a new location?

That sponge-like experience where you are just absorbing every nook and cranny. It is euphoric to be able to touch a new part of the earth that I have not seen yet. Knowing that while the earth is finite I won’t be able to experience every bit of it, so every new experience is bliss.

How do you keep yourself motivated and your photography fresh?

Knowing that my experiences are limited is the greatest motivator. Every opportunity is a bonus. When I lose motivation, sometimes just setting out without the intention to do a shoot can be reinvigorating.

What has been the biggest source of inspiration in your work?

I would say developing a network has been the biggest inspiration. Becoming peers with some amazing photographers just inspires me to continue to grow and create. It really is a driver.

What do you hope viewers take away from your images?

I want viewers to take pause when they see my image. To become a part of the image and have any effect that they may have. While it would be amazing to be a conservationist etc. I just want my viewers to create a story in the image that impacts them in any way.

Share with us your favorite image and why.

This is a common question and one of the most difficult to answer for some, including myself. While some images have a more special memory to me, the answer I’ve decided over time is that my favorite image I have taken is usually the last image I have taken. This is because I truly am excited every time I have an opportunity to create something and I think that fiery passion is hopefully what helps set me apart.

What type of camera(s) do you shoot with? What is your favorite lens?

I currently have all Nikon setups. I have the D850, D750 and D500 (I use solely for Wildlife). Lenses I have quite an assortment also. My favorite would be my 14-24mm 2.8. It is a landscape powerhouse!

What is in your camera bag?

This would be a long answer, I have what is called Gear Acquisition Syndrome or GAS. It is an ever growing bag. Well, actually 3 bags.

What is your favorite photography accessory?

I just partnered with Fotodiox to use their filter setup with the Nikon 14-24mm lens. It has a convex glass so screw in filters don’t work. This setup really opens doors for some amazing landscape images!

What piece of equipment would you most like to get but don’t have yet?

For my wildlife, I want the big boy telephotos. The 600 f4 or the 180-400 f4 with a built-in teleconverter. They cost about 10-15 thousand dollars. One day I see it happening. One day!

How important is Photoshop or other image editing software in your final images?

Photoshop and Lightroom are imperative to finish an image, but they should not be what makes an image. Nothing beats a well-executed shot, lightly finished in Lightroom and Photoshop. Many are extremely skilled visionaries with Photoshop, but I like to just make minor adjustments myself.

Was there a point in your journey when you started to feel really good about your work? If so, what did it feel like to get past that ‘tipping point’?

I think there was a point where I stopped being frustrated when the perfect scene didn’t show up. I started being able to see through what was given and know how to find a shot anyway. It felt liberating that I could just have a camera in hand and feel confident to make something I was proud of. It really helps open up the eyes to see nuance.

Do you have any projects that make you look back and shake your head? What made the experience so unpleasant?

My biggest issue is over-promising. I am so passionate about photography that sometimes I have the urge to bill low, or give more than really projected. I don’t want to give less than 100% effort, but that takes a lot of time and effort. So sometimes I tend to practically donate my efforts and time if I don’t project correctly. That is no one’s fault but my own, but I do shake my head at being shy to sincerely bill at times. Specifically, because I have an MBA, I should know quite a bit how to run the business side.

What do you think the future holds for you? Where do you see yourself in the next few years?

I have many doubts and struggles about how to sustain, I think it is natural. I take every victory as a boost to continue on. I currently am negotiating to partner with a really big fish, I was hoping it would be finalized by the time this article finished. The end game is to land with a Nikon, NatGeo etc. That is like making the All-Star team. Reality is, as long as I can have a camera in hand, then I see a smile on my face.

With a connection to nature and an understanding of light, fine art nature photographer George Wheelhouse’s images share a unique perspective of the beauty of the natural world. George’s fresh approach to his work is strongly influenced by his background in art and design. While George photographs subjects close to home in Bedfordshire, UK, he also shares a passion for traveling to photograph the wildlife and landscapes of other captivating parts of the world. George’s photography effectively conveys his love of the outdoors and moments in nature with his viewers.

It’s my pleasure to share George’s thoughts and ideas about his work with my readers. George, thank you so much for taking the time to share your thoughts and views of nature through your words and photography and for allowing us to get to know a bit about you.

If you’d like to learn more about George, please visit his website. You can also follow him on Facebook, Instagram and Twitter.

Can you please tell the readers a bit about yourself?

I’m a fine art nature photographer. I shoot portraits of animals for wall art, specialising in high-key and low-key images. I also enjoy traveling for landscape photography in picturesque locations away from the crowds. It’s both my creative outlet and my escape from the busy modern world.

Where do you call home?

I live in Bedfordshire, UK; home of… well not a lot really. But I love to travel.

After browsing through your website, I see that you’re truly immersed in the field of photography. What is it that led you towards photography and how long have you been working in it?

I’ve always enjoyed nature and the outdoors, and I used to draw animals from reference photos, in pencil and pastel. I picked up a camera in 2009, and was soon hooked. I love learning new things, and new skills, and found a whole world to discover in photography. I’ve now surpassed the level I reached with drawing, and I’m enjoying pushing my boundaries in photography. I love using light and shadow, and constantly play with the effects I can achieve.

Are you self-taught or formally-taught?

I’ve never had any formal photography tuition. I started by getting 2 or 3 photography books from the library, and off I went.

In regard to marketing, how much of your time do you dedicate to social media? Do you use any special programs or services?

I don’t prioritise social media over other things, but I share on Instagram, Facebook, and Twitter. I use Instagram the most, as it really values the image over all else. I wish they’d do an iPad version though.

Locations and weather conditions seem to be a crucial aspect to a successful picture. How do you handle these unpredictable factors?

I go in with several plans, so I’m generally able to react to light and weather, and adapt accordingly. Often things just don’t work out, but I still learn, and enjoy my time outdoors or with an animal.

What type of photography shoots do you look forward to?

I love working with larger animals, and especially in low light. It’s rare you can rely on strong low light in the UK, but when it comes off it’s very rewarding. The shoots I look forward to most are the ones with the scope to try things out, and play with a few different ideas.

When shooting subjects, what do you find most challenging?

Animals and wildlife have their own minds, and when they don’t want to be photographed I have to respect that. Sometimes it’s a case of patience and persistence, and other times I have to change my approach entirely.

What’s the best part of being a photographer?

The freedom to create images never before captured, and to follow my own instinct, rather than that of the crowd.

What is the most challenging part of being a photographer?

The constant failure! It’s hard. My standards are high. I rarely achieve the photo I have in mind. It can be easy to think you’re getting nowhere, but when I look back at my portfolio I can see I’m going in the right direction. You’ve got to play the long game.

How do you keep your photography fresh and how do you stay motivated to keep on learning?

If I wasn’t learning and improving I’d quickly get bored. There’s a whole world of visual arts out there, with almost infinite potential. I’m hugely creatively motivated, and I always want to raise my game. That in itself keeps the standard of my work evolving, in addition to my interest in nature and my desire to bring that connection with nature to a mainstream audience.

What is one piece of advice you would like to offer a new photographer just starting out?

Make sure you’re enjoying what you do, and that you’re getting satisfaction from it – either from the results, or the learning process. It sounds like a simple one, but it can be deceptively hard.

Share with us your favorite image and why.

Gosh, I can’t pick a favourite, but this Swaledale sheep portrait is one I’m particularly pleased with. They’re the icon of the Yorkshire Dales National Park, and I had this image in mind for several years before managing to find a suitable and willing subject. I was really lucky to find this old ewe, and get a strong sunlight to enable me to capture this. So it’s both an aesthetic I enjoy, and a very rewarding image to have achieved.

What do you hope viewers take away from your images?

A connection with the subject. I want to bring a bit of nature into people’s daily lives. We’re losing our connection with the natural world, and it’s more important for us to reconnect now than ever before.

What type of camera(s) do you shoot with? What is your favorite lens?

I shoot with a Nikon D810, and my new favourite lens is the Sigma 100-400mm. Relatively speaking it’s a budget lens, but it’s sharp, and the focal length is enjoyably versatile.

What is in your camera bag?

Apart from sweets and flapjacks… Always spare batteries, lens cloth, 24-70mm f2.8, 70-200mm f4, 300mm f2.8, 1.7x teleconverter, head torch, Manfrotto 190C tripod, and a bottle of water.

What is your favorite photography accessory?

Lightroom

What piece of equipment would you most like to get but don’t have yet?

A mythical all-rounder lens for carrying up mountains; sharp, lightweight, 24-300mm zoom, f4 or f5.6. I might be waiting some time for that.

How important is Photoshop or other image editing software in your final images?

I rarely use Photoshop, but Lightroom is indispensable. Since I shoot raw files, they all need processing, and I enjoy the opportunity for creativity that presents. Sometimes the final image is very similar to the raw file, and sometimes they differ greatly. I enjoy the processing as much as I do the photo shoot.

Can you tell me about one of your favorite or most memorable photo shoots? What made it so great and why did you like it so much?

My favourite wildlife experience in the UK is photographing puffins, on Skomer Island in Wales. They’re such characterful birds, and as long as you’re patient and respectful, they’ll come very close to you. There is a huge amount of scope to do your own thing there too, so you have plenty of options available in terms of the type of shots to go for. Really it’s a case of seeing where your creativity takes you. Photography aside, it’s also an amazing wildlife encounter, and hugely enjoyable.

Do you have any projects that make you look back and shake your head? What made the experience so unpleasant?

We all suffer set-backs, but nothing really springs to mind as an unpleasant project/experience.

Are there any areas of photography that you have yet to pick up on that you’d like to learn?

My reliance on natural light has been both a blessing and a curse. It’s forced me to get creative with it in a variety of ways, but it’s also a limitation. Thankfully a friend of mine is helping to demystify the world of flash and artificial lighting, and that’s the area I’d really like to get to grips with next.

What do you think the future holds for you? Where do you see yourself in the next few years?

I’m not an optimist, and I don’t expect to conquer the world. But as long as I’m creating new work I’ll be happy. I’m currently reconnecting with what I enjoy about photography; I want to expand my portfolio of creative animal portraits, and to continue visiting interesting and underpopulated wilderness areas. I’ll see where that take me and enjoy the ride.

Wouldn’t you agree that an extraordinary photograph should capture a particular point in time at a specific place? Then you would concur with Sunderland, England based landscape Photographer Stuart Lawton. Stuart believes that a good photograph should project this idea fully to a viewer at a later time. Stuart strives to capture a wide variety of subjects and this is successfully conveyed with his love of photography.

Thank you, Stuart and it’s my pleasure to share your insight and experiences with our readers. You are a remarkable photographer and someone whose work is definitely worth following. I hope to see more great things from you in the future!

If you would like to see more of Stuart’s work, you can visit his website. You can also follow him on Twitter.

Can you please tell the readers a bit about yourself?

I’m a landscape photographer from England. Before becoming a photographer I worked in I.T., and I have a BSc (Hons) degree in technology. My hobbies are the outdoors (which is fortunate for a landscape photographer), computer maintenance and motor vehicle maintenance.

Where is home?

I live in Sunderland, a coastal city in the North-East of England. The weather can be chilly and damp, however, the scenery is breathtaking.

After browsing through your website, I see that you’ve built up an extensive collection of wonderful photography. What is it that led you towards this field and how long have you been working in it?

In 2012 I purchased a DSLR and started taking photographs. Within a year or so, there were people complimenting my images and a number of working pro-photographers and print/publishing company executives said I had a ‘talent’ and gave me pointers of what to concentrate on to improve further.

What inspired you to be a photographer?

I had a major illness in 2012, which led to the purchase of my first DSLR. I had always been interested in photography, but up until that point I used bridge cameras and fixed lens compact cameras. I was pretty much hooked within the first week.

What type of session do you look forward to the most vs what type of session you most often do?

I most look forward to spending time at a beautiful location with great light and an interesting sky doing tripod based work (in particular 10-stop filter work which I love). Although usually, I end up shooting handheld shots more whilst being more mobile gathering content for agencies that I supply.

What has been the easiest part of learning about photography?

The easiest part of learning about photography for me has been digital processing, as I already had skills in these applications due to my I.T. background.

What has been the most challenging part of photography?

The most challenging part of photography has been being overly self-critical of my own work.

In regard to marketing, how much of your time do you dedicate to social media? Do you use any special programs or services?

I spend about 5 to 10 hours a week answering photography related emails, maintaining my website and also my Twitter page.

Who or what inspires you in your personal life and work?

Constantly learning and improving is my main inspiration in life. I think that if there was nothing left to learn anything can become boring, but I don’t think that this will ever be the case with photography. No photographer knows it all.

What industry sites and blogs do you read regularly? Would any stand out as particularly motivational or inspirational for someone who might be interested in learning about photography?

I regularly read a wide range of UK photography magazines in print format, such as Professional Photo, Digital Camera, Amateur Photographer and N Photo. I also enjoy many photography websites, blogs and vlogs online.

When I was initially learning photography, I found the UK magazine Digital Camera, and in particular (the then technical editor) Chris Rutter’s advice, to be invaluable. A landscape photography book that was also inspiring and informative for me when I was starting out was ‘Contemporary Landscape Photography’ by Carl. E. Heilman II.

Are there any photographers out there who motivate you? If so, who are they and what is it you like so much about them?

I like many different photographers and often learn from other peoples thought processes and ideas that are evident in their pictures. The landscape photography favourites of mine are Joe Cornish and David Noton.

What is one piece of advice you would like to offer a new photographer just starting out?

Try to grasp the exposure triangle as soon as possible, in order to understand how aperture, shutter speed and ISO are all linked. This will give you great control over your camera from an early stage and your shot quality will reflect this.

Share with us your favorite image and why.

I called this image Simplicity. I love the elegance of the shot and the way that it is uncomplicated yet effective.

What do you hope viewers take away from your images?

I genuinely hope that my images make the viewers feel good, or at least move them in some way. That is my aim at least.

What type of camera(s) do you shoot with? What is your favorite lens?

I shoot Nikon DSLRs and mostly prefer to spend my money on new glass (lens) rather than constantly having to have the latest camera body (which I used to do at first). I have also recently started to use Panasonic Lumix CSC cameras, and have grown to love the portability and power that is contained in such a small package.

My favourite lens is my Tamron AF 17-50mm f2.8 XR (non-VC) Nikon mount. It’s sharp and it’s fast, and I work well with it.

What is in your camera bag?

At the moment my camera bag contains a Nikon D7000, Tamron AF 17-50mm f2.8 XR (non-VC) lens, Nikon 50mm 1.8D lens, remote shutter cable, Pro MCII 10-stop filter, a Circular Polarising Filter, a LensPen, and an OpTech Rainsleeve.

What is your favorite photography accessory?

My favourite photography accessory is my Velbon Sherpa 5370D tripod with the PH157Q head. I’ve tried numerous other tripods, but always go back to this one as it’s light yet stable.

What piece of equipment would you most like to get but don’t have yet?

I would most like to get a Nikon D850 DSLR.

How important is Photoshop or other image editing software in your final images?

Adobe Lightroom, and to a lesser extent Adobe Photoshop, are very important to me for my final images as I always want to access the full dynamic range of the camera from the RAW file, and also want to make any necessary fine-tuning to the image.

Can you tell me about one of your favorite or most memorable photo sessions? What made it so great and why did you like it so much?

I’m fortunate in that there have been too many memorable photo sessions to name. Notable days and locations include at York, Whitby, Saint Mary’s Lighthouse and Weardale in the UK. They were all very picturesque locations with great light on the day.

Do you have any projects that make you look back and shake your head? What made the experience so unpleasant?

One occasion that made me look back and shake my head was the time when I photographed the Sunderland International Airshow and had clients waiting for my images from the event. Unfortunately, when I arrived home I discovered that the SD card that I had used had corrupted and I was unable to access any of the images from the day. Consequently, I had to return to the airshow the following day and complete the whole exercise again.

Do you see yourself as a photographer many years down the road?

Yes, I do, I like it too much to stop.

With a love of the natural world, Photographer Kate Del Fante Scott spends a great deal of time quenching her thirst for seeking adventure and feeding her addiction to travel. As a resident of Cape Town, Kate finds she is at her happiest when she is one with nature in the wild and untamed bushveld of South Africa. Kate is an Architect by profession with a keen eye, who captures and delivers fine art photographic images of wildlife, landscapes and architecture. These images convey her love of her surroundings, while also sharing unique and unexpected moments in nature with her viewers. My personal favorites of Kate’s photographs are her remarkable wildlife photographs.

It’s my pleasure to share Kate’s thoughts and ideas about her work with my readers. Kate, thank you so much for taking the time to share your thoughts and view of nature through your words and photography and for allowing us to get to know a bit about you.

If you’d like to learn more about Kate, please visit her website. You can also visit her on Instagram.

Can you please tell the readers a bit about yourself?

I am an architect from South Africa, I’m 37 years old, I have 2 little girls with my husband who is also an Architect. Besides design and photography, I am addicted to travel, I love discovering new places, and seeing the world. I love being outdoors and mountain bike, surf, ride and trail run.

Where do you call home?

I live in Cape Town, South Africa.

After browsing through your website, I see that you’re truly immersed in the field of photography. What is it that led you towards photography and how long have you been working in it?

As I mentioned. I’m actually an Architect by profession. Architectural photography is a natural extension of my trade, and an important part of exercising my design eye in a different way. Nature, wildlife and travel photography are my passion and escape and again a natural extension of how I live and my passions – travel and nature.

Architecture is an intense and stressful career. I needed a creative outlet that lets me express myself away from the constraints of clients, budgets and structures. As a designer, I am obviously very drawn to creative visual arts, so photography was a perfect choice. I have been working professionally as an architectural photographer for about 5 years. I have been photographing wildlife seriously for about 7 years.

What is your favorite part of being a photographer?

I love being outdoors, especially in the bushveld of Africa. I am a very analytical person, and enjoy the technical aspect and love the creative freedom.

What is the most challenging part of being a photographer?

Time – editing, deadlines and most importantly chasing the sun!

Being that my main focus is wildlife lighting conditions are often not ideal even at the best sightings. That can be very frustrating! But equally challenging to push yourself to look for a different type of shot.

What type of photography shoots do you look forward to?

Game lodges and content production for their websites. It involves all the things I love, travel, the great outdoors and wildlife.

What is your favorite part of heading out to a new location?

Discovering new opportunities and a fresh perspective.

How do you keep your photography fresh and how do you stay motivated to keep on learning?

As equipment evolves you naturally get pushed to try new techniques think. I love scrolling through Instagram and analyzing others work to figure out how they got their shot. I read a lot of photography magazines, and just experiment a lot at home when I can. With those great wildlife shots, there’s no ‘luck’ – it’s when opportunity meets preparation!

Share with us your favorite image and why.

The rhino in the midden is my favorite, I loved the way he turned to face me dead straight on just as he kicked up the dust beside him. It gives the rhino such symmetry against the dusty rose foliage. My most popular image is the men on the dhow in Zanzibar.

What do you hope viewers take away from your images?

The Serenity and beauty of nature.

What is one piece of advice you would like to offer a new photographer just starting out?

Never stop pushing yourself out of your comfort zone. Master a technique, learn a new one. It doesn’t matter what is in your camera bag, all a great photographer needs a brain full of tools to take amazing images even with a phone!

What type of camera(s) do you shoot with? What is your favorite lens?

My main camera body I own is a Canon 7D mkii. I love its burst rate for wildlife. My favorite lens is my Canon EF 100-400mm L ISii for wildlife and a 16-35mm f2.8 L for Architecture. Love my 50mm f1.4 prime lens for portraits.

I do rent equipment when I need to, so I love to shoot on Canon 5Dmkiv, and the 70-200 f2.8 Lii, and any super telephoto is a privilege to shoot with.

I once shot on a Canon 1dx but it was very heavy and bulky for me.

What is in your camera bag?

Canon 7D mkii, 10 – 22mm, 50mm, 17 – 55mm, 100 – 400mm, Canon 600exii Speedlight, Canon remote trigger, SLIK tripod, uv filters, polarizing filter, ND8 grad filter, 5 in 1 collapsible reflector kit, gorilla pod, Canon M5 mirrorless compact, EF-M 18 – 150mm and a Red filter game viewing torch.

What is your favorite photography accessory?

Probably grad filters.

What piece of equipment would you most like to get but don’t have yet?

I really need a telephoto extender. Not actually sure why I don’t have one yet! The lens I’m listing after is the Canon 11 – 24mm L series lens, I definitely will upgrade to the 7D mkiii when it is released and maybe in my dreams one day an EF 500mm L ISii.

How important is Photoshop or other image editing software in your final images?

Essential! Sharpening, a bit of pushing of the curve, pulling details back from the highlights. I think images come to life and get that pro polish with these tweaks. I don’t believe in too much manipulation, the truth must still prevail, but image enhancement is today’s photographers digital dark room.

Do you have any projects that make you look back and shake your head? What made the experience so unpleasant?

I cannot stand event photography. Wedding photographers I have so much respect for you. It’s just too unpredictable and rushed for me. I like to take my time with a shot.

Can you tell me about one of your favorite or most memorable photo shoots? What made it so great and why did you like it so much?

Shooting in Botswana is and always will be a highlight. The okavango delta and Chobe are just the most breathtakingly beautiful places, teaming with wildlife in it’s most untouched way.

Are there any areas of photography that you have yet to pick up on that you’d like to learn?

I’d love to learn more about food photography.

Do you see yourself as a photographer many years down the road?

Definitely. This is my retirement game!!